Thursday, August 30, 2018

Seamus Heaney's Digging



Irish poet Seamus Heaney, winner of the Nobel Prize for literature in 1995 and one of the 20th century's greatest poets, has died aged 74. Watch a recording of Mr. Heaney giving a reading of his poem, "Digging", at Villanova University in April 2010.



Digging 

Between my finger and my thumb   
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound   
When the spade sinks into gravelly ground:   
My father, digging. I look down

Till his straining rump among the flowerbeds   
Bends low, comes up twenty years away   
Stooping in rhythm through potato drills   
Where he was digging.

The coarse boot nestled on the lug, the shaft   
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.   
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

Literary Terms Students Should Know

Tuesday, August 28, 2018

Tuesday 8/28: Journal - Empathy & Bias


Today's Journal:

Reflect on a time that you felt excluded from a group (outside looking inside).

1. What is the difference between....

A. empathy, sympathy, and compassion?

B. bias, prejudice, and racism?


Consider the denotation as well as the connotation of these words.





Diversity, Race, Identity, and Intersectionality






















Consider these images for "Dimensions of Diversity":




































Identity Exercise: 



TED Talk: Hip-Hop or Shakespeare?



YouTube: 

Published on Dec 7, 2011

Akala demonstrates and explores the connections between Shakespeare and Hip-Hop, and the wider cultural debate around language and it's power.

MOBO award-winning hip-hop artist 'Akala' is a label owner and social entrepreneur who fuses rap/rock/electro-punk with fierce lyrical storytelling (think Wu-Tang Clan and Aphex Twin meets Rage Against The Machine). With Akala's latest record, convention-defying album DoubleThink, Akala has proven himself as one of the most dynamic and literate talents in the UK. Inspired by the likes of Saul Williams and Gil Scott Heron, Akala has also developed a reputation for stellar live performances with his drummer Cassell 'TheBeatmaker' headlining 5 UK tours and touring with everyone from Jay-Z, Nas & Damian Marley, M.I.A. and Christina Aguilera to Siouxsie Sue and Richard Ashcroft, appearing at numerous UK / European and US festivals (Glastonbury, Big Chill, Wireless, V, Hove and SXSW) also partnering with the British Council promoting British arts across Africa, Vietnam (the first rapper to perform a live concert in Vietnam), New Zealand and Australia. In 2009, Akala launched the 'The Hip-hop Shakespeare Company', a hotly-tipped music theatre production enterprise which has sparked worldwide media interest since its inception. Previous collaborators include British actor Sir Ian McKellen; actor/musician Colin Salmon and Royal Shakespeare Company Voice Director; Cicely Berry. 2011 sees the launch Akala's latest endeavour 'Illa State Productions' to garner his budding scriptwriting talent alongside TV presenting and as a music composer for various TV and Film projects.

Monday, August 27, 2018

First Rapper to Win a Pulitzer Prize: Kendrick Lemar


From Pulitzer.org:


The 2018 Pulitzer Prize Winner in Music

For distinguished musical composition by an American that has had its first performance or recording in the United States during the year, Fifteen thousand dollars ($15,000).

DAMN., by Kendrick Lamar

Recording released on April 14, 2017, a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life.


Article - The New York Times: "Kendrick Lamar Wins Pulitzer in ‘Big Moment for Hip-Hop’":

On Monday, Mr. Lamar’s “DAMN.” took home an even more elusive honor, one that may never have even seemed within reach: the Pulitzer Prize for music. Mr. Lamar is not only the first rapper to win the award since the Pulitzers expanded to music in 1943, but he is also the first winner who is not a classical or jazz musician.

“The time was right,” Dana Canedy, the administrator of the prizes, said in an interview after the winners were announced. “We are very proud of this selection. It means that the jury and the board judging system worked as it’s supposed to — the best work was awarded a Pulitzer Prize.”

She added: “It shines a light on hip-hop in a completely different way. This is a big moment for hip-hop music and a big moment for the Pulitzers.”





From Rolling Stone: "Watch Kendrick Lamar Accept Pulitzer Prize for ‘Damn.’" By RYAN REED

“I’ve been writing my whole life, so to get this type of recognition – it’s beautiful,” says rapper at ceremony"


From Vanity Fair Cover Story - August 2018, Lisa Robinson writes:


“It was one of those things I heard about in school,” he says, “but I never thought I’d be a part of it. [When I heard I got it], I thought, to be recognized in an academic world . . . whoa, this thing really can take me above and beyond. It’s one of those things that should have happened with hip-hop a long time ago. It took a long time for people to embrace us—people outside of our community, our culture—to see this not just as vocal lyrics, but to see that this is really pain, this is really hurt, this is really true stories of our lives on wax. 

And now, for it to get the recognition that it deserves as a true art form, that’s not only great for myself, but it makes me feel good about hip-hop in general. Writers like Tupac, Jay Z, Rakim, Eminem, Q-Tip, Big Daddy Kane, Snoop . . . It lets me know that people are actually listening further than I expected. 

When I looked up at that man on the podium today, I just had countless pictures in my mind of my mother putting me in suits to go to school. Suit and tie, from the dollar store, from thrift shops, when I was a kid.” 

He recalls his seventh-grade teacher Mr. Inge, who turned him on to poetry: “It wasn’t a traditional English class,” he says. “It was more of an artistic exercise. He told us to ‘write something only you can understand, then pass it on to the next person.’ ” 

He tells me about the visit with his parents to the White House (“Obama reached out”). “My mother wore a black-and-brown dress; she made sure to wear her best.” And, he tells me, “it [took me back] to talking to my grandma, when she was alive, and I was always thinking what it would be like if we had a black president. She had some hope . . .”

Praise for Kendrick Lamar

From Vanity Fair Cover Story:

AUGUST 2018

The Gospel According to Kendrick Lamar

Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic.—TONI MORRISON

It takes guts, courage, and skill to shoulder the burden of a generation’s mind-set. Culturally, Kendrick Lamar is that compass—in fact, a GPS—in this current Hour of Chaos. That enough is worth a Pulitzer Prize or any award that sets the bar high.—CHUCK D

I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today. If you listen to the last verse of “Black Boy Fly,” on good kid, m.A.A.d city, I know exactly what he means—because I was that kid.—LEBRON JAMES

The minute I hear good news, it just motivates me to do more. I don’t want to get complacent. If you asked seven out of ten people, ‘What would you do if you got the Pulitzer Prize?,’ they’d say, ‘I’d put my feet up.’ But that would make me feel I’d reached my pinnacle at 30 years old, and that wouldn’t make me feel good.—KENDRICK LAMAR

By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture.—EMINEM

For a gentle dude, he throws a righteous punch; I wouldn’t get in the way of it. No single artist will ever be the antidote to a generation’s malaise, but just identifying some of the problems really helps.—BONO


Kendrick Lamar’s work represents some of the most important music being produced today, period. He fits squarely onstage in the artistic community, like any other cutting edge, musical genius.—Dana Canedy, administrator, the Pulitzer Prizes

Rap is the biggest music out there, and it’s nice that it’s finally getting the recognition it deserves. For his album to make it onto that platform is great for all of us. Oh, and I’m also jealous.—Eminem


Kendrick Lamar on the N-Word



From Rolling Stone:

Lamar also addressed the now-infamous moment when a white fan rapped the “n-word” uncensored onstage during his May performance at Alabama’s Hangout Festival. (The rapper warned “You gotta bleep one word” before the version of “m.A.A.d city.”)
“Let me put it to you in its simplest form,” Lamar told Vanity Fair, reflecting on the incident. “I’ve been on this earth for 30 years, and there’s been so many things a Caucasian person said I couldn’t do. Get good credit. Buy a house in an urban city. So many things – you can’t do that – whether it’s from afar or close up. So if I say this is my word, let me have this one word, please let me have that word.”


Kendrick Lamar: Growing Up in Compton, LA



Rapper Kendrick Lamar became a household name with 2015's To Pimp a Butterfly, which earned an impressive 11 Grammy noms and five wins, including best rap album. Despite the fame and fortune and his high-profile ties to Dr. Dre's record label, there's still plenty to discover about this Compton, California kid... All in a name | 0:26 Biggest vice | 1:18 Secret tracks | 2:13 Tribute to Tupac | 2:59 'Corny' hype | 3:42 Eminem's test | 4:16 Africa experience | 5:01 Inspiration | 5:28 Work ethic | 6:09 The realest feedback | 6:37



From YouTube:

"Compton, California, is one of hip-hop's most celebrated locales, the birthplace of acts like N.W.A. and, more recently, Kendrick Lamar. It's also home to a complicated gang culture. Noisey Bompton centers around Kendrick Lamar and the friends he grew up with on the West Side of Compton, many of whom feature on the cover of his album 'To Pimp A Butterfly.' n the first of six segments, we sit down with Kendrick to talk about his acclaimed albums, pay a visit to his high school, Centennial, and get to know his childhood friend Lil L."

LA, like most American cities, is highly segregated:


The RED dots show white people,
BLUE is black,
ORANGE is Hispanic, GREEN is Asian,
and YELLOW is other.

From Business Insider "21 Maps Of Highly Segregated Cities In America"
Rebecca Baird-Remba and Gus Lubin Apr. 25, 2013:
LOS ANGELES, Calif. — White people cling to the coast around Santa Monica and Brentwood, and the north side of the city beginning with the Hollywood Hills.

L.A.'s black-white dissimilarity score is 65.0, according to a study of 2010 Census data by professors John Logan and Brian Stults of Brown and Florida State University. A score above 60 on the dissimilarity index is considered very high segregation.

The red dots show white people, blue is black, orange is Hispanic, green is Asian, and yellow is other, according to maps of 2010 Census data by Eric Fischer.






From Big Think: Gangs of LA





PBS Documentary: Website


N.W.A. grew up in Compton as well...

History of Hip-Hop: Beats, Bars, Rhymes, and Motives



Spotify Playlist: The Prose of Rhyming in Rap

Motive (a.k.a. Motif):

"Another term that usually refers to a piece of melody (although it can also refer to a rhythm or a chord progression) is “motif.” A motif is a short musical idea—shorter than a phrase—that occurs often in a piece of music. A short melodic idea may also be called a motif, a motive, a cell, or a figure. These small pieces of melody will appear again and again in a piece of music, sometimes exactly the same and sometimes changed. When a motif returns, it can be slower or faster, or in a different key. It may return “upside down” (with the notes going up instead of down, for example), or with the pitches or rhythms altered."

Syncopation

"In music, syncopation involves a variety of rhythms which are in some way unexpected which make part or all of a tune or piece of music off-beat. More simply, syncopation is a general term for "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur."[1] The correlation of at least two sets of time intervals.[2] Also known as an "Uneven movement from bar to bar"."


Race and Identity: Context to the TKAM/TPAB Project

Journal:

"Words don't have meaning without context." - Ta-Nehisi Coates

1. Who can use the N-word?



Understand being inside a community - there is a relationship with that group - a connection; however, outside the circle of a community, one may not use certain words out of respect.

Using words in an ironic fashion within a group could be considered an act of reclaiming the word.


Journal:

2. In your own words, what is racism?




Journal: 

3. Why does this family have to have this talk?

Transcript of Dr. Howard Stevenson's TED Talk



 Attempt to empathize with the boy as well as the parents in this scene.

4. What is "reverse racism"? 

What you need to understand...

Watch this comedian Aamer Rahman explain the societal dynamics of racism.

More on HuffPost




This isn’t a new phenomenon. When segregationist Alabama Gov. George Wallace was asked if he considered himself to be a racist during a 1968 interview, he offered a similar deflection.
“No sir, I don’t regard myself as a racist,” Wallace said, “and I think the biggest racists in the world are those who call other folks racist. I think the biggest bigots in the world are those who call other folks bigots.” Link



5. What is "institutional racism"?



"The House We Live In" asks,

"If race is not biology, what is it?"

This episode uncovers how race resides not in nature but in politics, economics and culture. It reveals how our social institutions "make" race by disproportionately channeling resources, power, status and wealth to white people.

https://www.racepowerofanillusion.org/

TRAILER:

Race Preview from California Newsreel on Vimeo.



Vocab form Merriam Webster:

subsidize

 verb
sub·​si·​dize | \ ˈsəb-sə-ˌdīz  -zə-\
subsidizedsubsidizing

Definition of subsidize


to furnish with a subsidy: such as

a to purchase the assistance of by payment of a subsidy

b to aid or promote (someone or something, such as a private enterprise) with public moneysubsidize soybean farmerssubsidize public transportation

divestiture

 noun
di·​ves·​ti·​ture | \ dī-ˈve-stə-ˌchu̇r  -chərdə-chiefly Southern -t(y)u̇(ə)r\

Definition of divestiture


1the act of divesting

2the compulsory transfer of title or disposal of interests (such as stock in a corporation) upon government order


divest

 verb
di·​vest | \ dī-ˈvest  də-\
divesteddivestingdivests

Definition of divest


1ato deprive or dispossess especially of property, authority, or titledivesting assets to raise capitalwas divested of his rightsdivesting herself of all her worldly possessionsencouraged the university to divest itself from fossil fuels

bto undress or strip especially of clothing, ornament, or equipmentChristmas trees divested of their ornaments

cRIDFREE

2to take away from a person

equity

 noun
eq·​ui·​ty | \ ˈe-kwə-tē  \
plural equities

Definition of equity


1ajustice according to natural law or rightspecifically freedom from bias or favoritism

bsomething that is equitable

2athe money value of a property or of an interest in a property in excess of claims or liens against it

bthe common stock of a corporation

ca risk interest or ownership right in property
da right, claim, or interest existing or valid in equity

3aa system of law originating in the English chancery and comprising a settled and formal body of legal and procedural rules and doctrines that supplement, aid, or override common and statute law and are designed to protect rights and enforce duties fixed by substantive law

btrial or remedial justice under or by the rules and doctrines of equity

ca body of legal doctrines and rules developed to enlarge, supplement, or override a narrow rigid system of law